The Paul Boytinck - C.P. Snow collection is a research collection consisting of material used by bibliographer Paul Boytinck for the publication of his book C.P. Snow: A Reference Guide (1980). The collection consists of 1.3 linear feet of articles, book reviews, interviews, manuscripts, correspondence, and a videotape related to English novelist C.P. Snow spanning the dates between 1932 and 1989.

Fleda Brown (born 1944) is an American poet, scholar, and educator, and was poet laureate for the state of Delaware from 2001-2007. The Fleda Brown papers, spanning circa 1950-2014 (bulk 1963-2014), comprise early works, poem drafts and notes, journals, correspondence, and materials related to Brown’s professional life as a poet and professor of English at the University of Delaware.

The Virginia Spencer Carr Papers comprises three groups of materials: I. Papers related to Tennessee Williams, ca. 1911-1996, II. Papers related to Paul Bowles, ca. 1911-2004, III. Personal papers, ca. 1945-2002. The bulk of the material is research, correspondence, manuscripts, and publisher's proofs toward her biography of Paul Bowles.

The Delaware Theatre Company (DTC) was founded in Wilmington, Delaware, in 1978 with a mission to create theater of the highest professional quality in Delaware and thereby enrich the area through artistic programming, education and community service. The DTC records 2019 supplement comprises the organization’s administrative and financial records, production files, press, and reviews from 1978-2015.

Educational and community outreach programs are the main focus and the bulk of this supplement to the Delaware Theatre Company records, with a large component consisting of the files of the Director of Education & Community Engagement, C. J. Conway.

This collection comprises material related to Independent filmmaker Sara Driver's short film You Are Not I (1981), based on the 1948 short story by American composer and author Paul Bowles (1910-1999) of the same name. Included in the collection is a variety of promotional materials, distribution information, and other ephemera from the film's initial release and early screenings.

This collection comprises material related to the American actor and playwright Robert B. Kegerreis's 1909 dramatic adaptation of Edgar Allan Poe's short story "The Tell-Tale Heart" and his involvement in the New York theater scene of the early twentieth century.

On August 5, 1901, Ralph Milbanke, second Earl of Lovelace, wrote to his niece, Clare Euphemia Stuart-Wortley to describe the mountain peak in the Alps which he had named "Campanile Chiara" in honor.

An autobiography, fifteen poems, one short story, two resumes, a lecture, and several compilations of reviews of his work comprise this collection of manuscripts written by or related to American poet Norman Macleod (1906–1985).

The collection comprises letters and postcards written from Paul Metcalf, experimental American writer, to Ted Wilentz, former owner of the Eighth Street Bookshop in New York City, between 1984 and 1991.

Collection of eleven letters from Irish writer George Moore to Lady Leonie Leslie, found in Sir Shane Leslie's copy of the book,GM: Memories of George Moore. Also includes Sir Shane Leslie's review of the book and three letters written to him.

Moroccan author and artist Mohammed Mrabet (born 1940) worked closely with American expatriate writer and musician Paul Bowles (1910-1999). This collection contains letters from several of Mrabet's friends and acquaintances, most notably from American writers and editors Irving Stettner (1922-2004) and Michael Wolfe (born 1945). Also included are reviews of Mrabet's works and photocopied dust jackets from his books.

British author, bibliographer, and antiquarian bookseller Percy H. Muir (1894-1979) wrote these two drafts of a review of the third edition of John E. T. Clark's, Musical Boxes: A History and Appreciation, published in 1961 by G. Allen and Unwin.

Peter Owen publishing records is the publisher’s archive (1950s-1995) of an independent British firm renowned for its international list of major authors and avant garde works. The bulk of the collection consists of the production files of selected works, primarily from the 1980s and 1990s, including edited typescripts, proofs, and other materials documenting the process of turning an author’s manuscript into a finished book.

The University of Delaware Library’s collection of books from the family library of the British artist Sir William Rothenstein (1872-1945) and his son, the art historian Sir John Rothenstein (1901-1992), numbers over six hundred volumes. The collection documents the important careers of the Rothensteins.

The Salmon Poetry Ltd. records supplement contains administrative files and the press's publishing files for books produced between 2000 and 2011. Founded and directed by the American-Irish poet, Jessie Lendennie, Salmon Poetry Ltd. is noted particularly for its publication of poetry and its promotion of women writers. This supplement complements the core archival records of Salmon Publishing, Ltd., which was acquired by the University of Delaware Library in 1998.

The records of Salmon Publishing cover the activity of Salmon Publishing Ltd. of Clare, Ireland, from its inception in 1982 through 1997. Founded and directed by the American-Irish poet, Jessie Lendennie, Salmon Publishing is noted particularly for its promotion of the work of new women poets.

The Wilbert Snow letters to Homer E. Woodbridge were written by twentieth century American poet and scholar Wilbert Snow to Homer E. Woodbridge, both of whom were professors at Wesleyan University in Middletown, Connecticut.

Two typescript carbon transcripts of a critical review written by Howard Taubman and an unidentified person for The New York Times on Edward Albee's play, Who's Afraid of Virginia Woolf. Taubman's transcript is undated while the unidentified person's is dated November 5, 1962.

William G. Thompson as President of the Briarwood Writers' Alliance, Inc., represented more than 150 writers, poets, and performers by booking lectures and readings at educational institutions, literary gatherings, and community events.

The Frank W. Tober collection on literary forgery comprises letters, books, pamphlets, journals and journal articles, newspaper clippings, auction and exhibition catalogs, and other ephemera related to literary forgery. While Tober collected specimens of a variety of manuscript and printed forgeries, he was most interested in the literary forgeries of Thomas J. Wise and H. Buxton Forman.

The Louis Untermeyer papers consist of five linear feet of manuscript material abandoned by Untermeyer when he sold his Adirondack home, Stony Water, around 1970. Dating from 1902 through 1972, with the bulk of the papers dating 1912–1935, the collection is composed of correspondence, proofs, lists, scrapbooks, notes, photographs, programs, announcements, lectures, anthologies, poems, reviews, essays, and a bookplate.

The Harry F. Williams Papers concern the works, awards, and personal notes of the prominent professor of Romance Languages, Harry F. Williams (1911–1998).

The Tennessee Williams collection, spanning the dates 1939-2013, consists of an extensive collection of correspondence, manuscripts, photographs, printed material, and ephemera related to American playwright Tennessee Williams.